Literary Field Recording
Sometimes the sound that doesn’t sound makes the loudest sound—even if it’s all in our own heads. Even when conducting a silent activity such as reading a book, our ears—or perhaps our mind’s ear—can be abuzz with a cacophony of word-sound relations. Canadian literature has always seemed to me inextricably linked to the country’s vast landscape. Concurrently, Canadian sound artists have long been preoccupied with field-recording these same landscapes. In this work I make a small conceptual leap, binding together these two fields and textually “field-recording” the landscapes of some of Canada’s finest literature. The spaces may be imagined, but the sounds are real.
Read the published text here
Runner up in MusicWorks’ Sonic Geography Writing Contest 2015